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Henry Lawson (the poet in song) Vol​.​2

by The Queensland Tiger

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1.
The Captain of the Push ------------------------------------------------------------ As the night was falling slowly down on city, town and bush, From a slum in Jones's Alley sloped the Captain of the Push; And he scowled towards the North, and he scowled towards the South, As he hooked his little finger in the corners of his mouth. Then his whistle, loud and shrill, woke the echoes of the 'Rocks', And a dozen ghouls came sloping round the corners of the blocks. ---------------------------------------------------------------- There was nought to rouse their anger; yet the oath that each one swore Seemed less fit for publication than the one that went before. For they spoke the gutter language with the easy flow that comes Only to the men whose childhood knew the brothels and the slums. Then they spat in turns, and halted; and the one that came behind, Spitting fiercely on the pavement, called on Heaven to strike him blind. --------------------------------------------------------------- Let us first describe the captain, bottle-shouldered, pale and thin, For he was the beau-ideal of a Sydney larrikin; E'en his hat was most suggestive of the city where we live, With a gallows-tilt that no one, save a larrikin, can give; And the coat, a little shorter than the writer would desire, Showed a more or less uncertain portion of his strange attire. ----------------------------------------------------------------- That which tailors know as 'trousers' — known by him as 'bloomin' bags' — Hanging loosely from his person, swept, with tattered ends, the flags; And he had a pointed sternpost to the boots that peeped below (Which he laced up from the centre of the nail of his great toe), And he wore his shirt uncollar'd, and the tie correctly wrong; But I think his vest was shorter than should be in one so long. ------------------------------------------------------------------- And the captain crooked his finger at a stranger on the kerb, Whom he qualified politely with an adjective and verb, And he begged the Gory Bleeders that they wouldn't interrupt Till he gave an introduction — it was painfully abrupt — 'Here's the bleedin' push, me covey — here's a (something) from the bush ! Strike me dead, he wants to join us ! ' said the captain of the push. -------------------------------------------------------- Said the stranger: 'I am nothing but a bushy and a dunce; 'But I read about the Bleeders in the Weekly Gasbag once; 'Sitting lonely in the humpy when the wind began to "whoosh," 'How I longed to share the dangers and the pleasures of the push ! 'Gosh ! I hate the swells and good 'uns — I could burn 'em in their beds; 'I am with you, if you'll have me, and I'll break their blazing heads.' -------------------------------------------------------- 'Now, look here,' exclaimed the captain to the stranger from the bush, 'Now, look here — suppose a feller was to spit upon the push, 'Would you lay for him and fetch him, even if the traps were round ? 'Would you lay him out and kick him to a jelly on the ground ? 'Would you jump upon the nameless — kill, or cripple him, or both ? 'Speak ? or else I'll speak ! ' The stranger answered, ' My kerlonial oath ! ' ---------------------------------------------------------- 'Now, look here,' exclaimed the captain to the stranger from the bush, 'Now, look here — suppose the Bleeders let you come and join the push, 'Would you smash a bleedin' bobby if you got the blank alone ? 'Would you break a swell or Chinkie — split his garret with a stone ? 'Would you have a "moll" to keep yer — like to swear off work for good ? ' 'Yes, my oath ! ' replied the stranger. 'My kerlonial oath ! I would ! ' ------------------------------------------------------ 'Now, look here,' exclaimed the captain to the stranger from the bush, 'Now, look here — before the Bleeders let yer come and join the push, 'You must prove that you're a blazer — you must prove that you have grit 'Worthy of a Gory Bleeder — you must show your form a bit — 'Take a rock and smash that winder ! ' and the stranger, nothing loth, Took the rock — and smash ! They only muttered, ' My kerlonial oath ! ' -------------------------------------------------------- So they swore him in, and found him sure of aim and light of heel, And his only fault, if any, lay in his excessive zeal; He was good at throwing metal, but we chronicle with pain That he jumped upon a victim, damaging the watch and chain, Ere the Bleeders had secured them; yet the captain of the push Swore a dozen oaths in favour of the stranger from the bush. --------------------------------------------------------- Late next morn the captain, rising, hoarse and thirsty from his lair, Called the newly-feather'd Bleeder, but the stranger wasn't there ! Quickly going through the pockets of his 'bloomin' bags,' he learned That the stranger had been through him for the stuff his 'moll' had earned; And the language that he muttered I should scarcely like to tell. (Stars ! and notes of exclamation !! blank and dash will do as well ). ------------------------------------------------------------ In the night the captain's signal woke the echoes of the 'Rocks,' Brought the Gory Bleeders sloping thro' the shadows of the blocks; And they swore the stranger's action was a blood-escaping shame, While they waited for the nameless, but the nameless never came. And the Bleeders soon forgot him; but the captain of the push Still is 'laying' round, in ballast, for the nameless 'from the bush.' ================================================
2.
A Prouder Man than You (1892) [ V.1 ] : If you fancy that your people came of better stock than mine, If you hint of higher breeding by a word or by a sign, If you're proud because of fortune or the clever things you do – Then I'll play no second fiddle: I'm a prouder man than you ! [ V.2 ] : If you think that your profession has the more gentili-ty, And that you are condescending to be seen along with me; If you notice that I'm shabby while your clothes are spruce and new – You have only got to hint it: I'm a prouder man than you ! [ V.3 ] : If you have a swell companion when you see me on the street, And you think that I'm too common for your toney friend to meet, So that I, in passing closely, fail to come within your view – Then be blind to me for ever: I'm a prouder man than you ! [ V.4 ] : If your character be blameless, if your outward past be clean, While 'tis known my antecedents are not what they should have been, Do not risk contamination, save your name whate'er you do – `Birds o' feather fly together': I'm a prouder bird than you ! [ V.5 ] : Keep your patronage for others ! Gold and station cannot hide Friendship that can laugh at fortune,friendship that can conquer pride ! Offer this as to an equal -- let me see that you are true, And my wall of pride is shattered: I am not so proud as you ! ============================================
3.
The Old Rebel Flag in the Rear (1892) A May-Day Song by Henry Lawson (1867 – 1922) ------------------------------- [V.1] Whenever the march of oppression Reduces a land to despair, No matter how mighty the victors, The flag of Rebellion is there. The might of coercion may triumph, And Freedom be laid on her bier — Yet over the graves of the conquered there waves That Old Rebel Flag in the Rear -------------------------------------------- [V.2] A king may be great in a country That cheers when a monarch is crown'd But still, in his capital city, The flag of the rebel is found. A people may boast a Republic, Where Liberty dies in a year; But close on their flag comes that old stubborn rag, The Old Rebel Flag in the Rear --------- [ CHORUS ] ----------------- 'Twill never be furl'd while there's wrong in the world, It never will fall till there's Justice for all, That old rebel flag, that old rebel flag, That Old Rebel Flag in the Rear -------------------------------------- [V.3] We sing of the Queen of England, Her banner that flaunts in the van, Yet out from the slums of her capital comes That vengeful red banner of man! Lift up the proud Union of England, And bear it along with a cheer, But England! take care in your triumph, for there Is the Old Rebel Flag in the Rear. -------------------------------------- [V.4] There's the great cruel Eagle of Russia, Where thousands are sunk in despair, And the hand of the tyrant is mighty, But the flag of rebellion is there! There's the bloodthirsty flag of the Kaiser, A monarch whom nations can fear, But William will pause ere he marches, because Of the Old Rebel Flag in the Rear. --------------------------------- [V.5] There's the Red, White & Blue of the Frenchmen Where soldiers of Freedom are true, But lo! from the rear comes a banner, Whose skirts lack the white and the blue! There's the flag of a boastful republic, A country where freedom is dear — But still, in the States there's an army that waits 'Neath the Old Rebel Flag in the Rear. --------------------------------------- [V.6] There's a new mongrel flag in Australia, And the "Banner of Britain" is here, But, to break from the past, we are gathering fast 'Neath the Old Rebel Flag in the Rear. There are men in the ranks who are traitors, And men who will falter and fear, Yet on thro' the arch of the morning we march 'Neath the Old Rebel Flag in the Rear. --------- [ CHORUS ] ----------------- 'Twill never be furl'd while there's wrong in the world, It never will fall till there's Justice for all, That old rebel flag, that old rebel flag, That Old Rebel Flag in the Rear --------------------------------------- [V.7] Some men, for the sake of their conscience, Will join and be true in the strife, And some for the sake of a moment to break The terrible dullness of life! They march 'neath the flag of the rebels, With lives overburden'd and drear, And fling them away on a terrible day 'Neath the Old Rebel Flag in the Rear. ------------------------------- [V.8] A spirit calls out of the future, And bids us to strike in our youth — And the voice of to-day is appealing For Liberty, Justice, and Truth; And the blood that was shed by old rebels, For rights that shall ever be dear, Drips down from the red of the flag overhead, Of the Old Rebel Flag in the Rear. -------------------------------- [V.9] Oh! brothers of mine and of mankind! The banner I sing of is red With life-blood of men who were foemen To wrong, and oppression, and dread. Then march 'neath the flag of the rebels, The red days of battle are near, Let your feet never lag as you march 'neath the flag, 'Neath the Old Rebel Flag in the Rear. ------------------------------- [V.10] Perhaps there'll be no reformation, But Oh! for a moment to rise And ride on the storm of rebellion, And strike at the things that I hate and despise! When Progress is stayed by a red barricade, And down in the city we hear ............ The roll of a hymn of defiance that ends With the Old Rebel Flag from the Rear. --------- [ CHORUS ] ----------------- 'Twill never be furl'd while there's wrong in the world, It never will fall till there's Justice for all, That old rebel flag, that old rebel flag, That Old Rebel Flag in the Rear ----------------[ CODA]---------------------------- It rose from the birth of the lords of the earth, The rebels are bred by the tyrants who dread That old rebel flag, that old rebel flag, That Old Rebel Flag in the Rear ===================================
4.
St. Peter Published in 1893 by Henry Lawson (1867 – 1922 ) ---------------------------- V1 : Now, I think there is a likeness 'Twixt St. Peter's life and mine, For he did a lot of trampin' Long ago in Palestine. He was 'union' when the workers First began to organise, And — I'm glad that old St. Peter Keeps the gate of Paradise. -------------- [BRIDGE] -------------- V2 : When the ancient agitator And his brothers carried swags, I've no doubt he very often Tramped with empty tucker-bags ; And I'm glad he's Heaven's picket, For I hate explainin' things, And he'll think a union ticket Just as good as Whitely King's. -------------- [BRIDGE] -------------- V3 : When I reach the great head-station Which is somewhere 'off the track' I won't want to talk with angels Who have never been out back ; They might bother me with offers Of a banjo — meanin' well — And a pair of wings to fly with, When I only want a spell. -------------- [BRIDGE] -------------- V4 : I'll just ask for old St. Peter, And I think, when he appears, I will only have to tell him That I carried swag for years. ' I've been on the track,' I'll tell him, 'An' I done the best I could,' And he'll understand me better Than the other angels would. -------------- [BRIDGE] -------------- V5 : He won't try to get a chorus Out of lungs that's worn to rags, Or to graft the wings on shoulders That is stiff with humpin' swags. But I'll rest about the station Where the work-bell never rings, Till they blow the final trumpet And the Great Judge sees to things. Till they blow the final trumpet And the Great Judge sees to things ==============================
5.
Sweeney 13:18 video
Sweeney (1893) by Henry Lawson (1867 - 1922) ----------------------- V.1 ----------------- It was somewhere in September, and the sun was going down, When I came, in search of 'copy', to a Darling-River town; 'Come-and-have-a-drink' we'll call it — 'Tis a fitting name, I think — And 'twas raining, for a wonder, up at Come-and-have-a-drink. 'Neath the public-house verandah I was resting on a bunk When a stranger rose before me, and he said that he was drunk; He apologised for speaking; there was no offence, he swore; But he somehow seemed to fancy that he'd seen my face before. ---------------------- V.2 ---------------------------- 'No erfence,' he said. I told him that he needn't mention it, For I might have met him somewhere ; I had travelled round a bit, And I knew a lot of fellows in the bush and in the streets — But a fellow can't remember all the fellows that he meets. Very old and thin and dirty were the garments that he wore, Just a shirt and pair of trousers, and a boot, and nothing more; He was wringing-wet, and really in a sad and sinful plight, And his hat was in his left hand, and a bottle in his right. ---------------------- V.3 ---------------------------- He agreed: 'Yer can't remember all the chaps yer chance to meet,' And he said his name was Sweeney … people lived in Sussex-St. He was campin' in a stable, but he swore that he was right, 'Only for the blanky horses walkin' over him all night.' He'd apparently been fighting, for his face was black-and-blue, And he looked as though the horses had been treading on him, too; But an honest, genial twinkle in the eye that wasn't hurt Seemed to hint of something better, spite of drink rags and dirt ---------------------- V.4 ---------------------------- It appeared that he mistook me for a long-lost mate of his — One of whom I was the image, both in figure and in phiz — (He'd have had a letter from him if the chap were living still, For they'd carried swags together from the Gulf to Broken Hill.) Sweeney yarned awhile and hinted that his folks were doing well, And he told me that his father kept the Southern Cross Hotel; And I wondered if his absence was regarded as a loss When he left the elder Sweeney — landlord of the Southern Cross. ---------------------- V.5 ---------------------------- He was born in Parramatta, and he said, with humour grim, That he'd like to see the city ere the liquor finished him, But he couldn't raise the money. He was damned if he could think What the Government was doing. Here he offered me a drink. I declined — 'twas self-denial — and I lectured him on booze, Using all the hackneyed arguments that preachers mostly use; Things I'd heard in temperance lectures (I was young and rather green), And I ended by referring to the man he might have been. ---------------------- V.6 ---------------------------- Then a wise expression struggled with the bruises on his face, Though his argument had scarcely any bearing on the case: 'What's the good o' keepin' sober? Fellers rise and fellers fall ; What I might have been and wasn't doesn't trouble me at all.' But he couldn't stay to argue, for his beer was nearly gone. He was glad, he said, to meet me, and he'd see me later on; He guessed he'd have to go and get his bottle filled again, And he gave a lurch and vanished in the darkness and the rain. ---------------------- V.7 ---------------------------- And of afternoons in cities, when the rain is on the land, Visions come to me of Sweeney with his bottle in his hand, With the stormy night behind him, and the pub verandah-post — And I wonder why he haunts me more than any other ghost. Still I see the shearers drinking at the township in the scrub, And the army praying nightly at the door of every pub, And the girls who flirt and giggle with the bushmen from the west - But the memory of Sweeney overshadows all the rest. ---------------------- V.8 --------------------------- Well, perhaps, it isn't funny; there were links between us two — He had memories of cities, he had been a jackeroo; And, perhaps, his face forewarned me of a face that I might see From a bitter cup reflected in the wretched days to be. I suppose he's tramping somewhere where the bushmen carry swags, Cadging round the wretched stations with his empty tucker-bags; And I fancy that of evenings, when the track is growing dim, What he 'might have been and wasn't' comes along and troubles him ========================
6.
The Emigration to New Zealand or “Gone to Maoriland” (1893) by Henry Lawson (1867–1922) ------------------------------------------------------------------------ [V.1] I've just received a letter from a chum in Maoriland, He's working down in Auckland where he says he's doing grand, The climate's cooler there, but hearts are warmer, says my chum, He sends the passage money, and he says I'd better come. (I'd like to see his face again, I'd like to grip his hand), He says he's sure that I'll get on first-rate in Maoriland. --------------------------------------------------------------------- [V.2] An' tho' he makes the best of things (it always was his style), You mostly get on better in a new land for a while, An' when I see the fading line of my own native shore, I'll let it fade, and never want to see it anymore. I'm tired of Sydney pavements, and the Western scrub and sand, I'd rather fight my troubles for a change in Maoriland ---------------------------------------------------------------------- [V.3] …… I'm off to make inquiries as to when the next boat sails, I'm sick of all these colonies, but most of New South Wales, An' if you meet a friend of mine who wants to find my track, Say you, "He's gone to Maoriland, …. and isn't coming back". An' should it be the landlord or the rates, you understand, Just say you'll find him somewhere knocking round in Maoriland ---------------------------------------------------------------------- [ENDING - repeat of earlier lines] I'm tired of Sydney pavements, and the Western scrub and sand, I'd rather fight my troubles for a change in Maoriland (I'd like to see his face again, I'd like to grip his hand), He says he's sure that I'll get on first-rate in Maoriland. =========================================
7.
The Outside Track (1896) Words : Henry Lawson Music : Gerry Hallom [ V.1 ] There were ten of us there on the moonlit quay, And one on the for'ard hatch; No straighter mate to his mates than he Had ever said: 'Len's a match ! ' 'Twill be long, old man, ‘ere our glasses clink, 'Twill be long ‘ere we grip your hand ! — And we dragged him ashore for a final drink Till the whole wide world seemed grand. ------------------------------------------- [ CHORUS 1 ] For they marry and go …. as the world rolls back, They marry and vanish and die ; But their spirit shall live on the Outside Track As long as the years go by. ------------------------------------------ [ V.2 ] The port-lights glowed in the morning mist That rolled from the waters green; And over the railing we grasped his fist As the dark tide came between. We cheered the captain and cheered the crew, And our mate, times out of mind; We cheered the land he was going to And the land he had left behind. ------------------------------------ [ CHORUS 1 ] ----------------------------------- [ V.3 ] We roared Lang Syne as a last farewell, But my heart seemed out of joint; I well remember the hush that fell When the steamer had passed the point We drifted home through the public bars, We were ten times less by one Who sailed out under the morning stars, And under the rising sun. -------------------------------------- [ CHORUS 1 ] ----------------------------------------- [ V.4 ] And one by one, and two by two, They have sailed from the wharf since then ; I have said good-bye to the last I knew, The last of the careless men. And I can't but think that the times we had Were the best times after all, As I turn aside with a lonely glass And drink to the bar-room wall. ------------------------------------- [ CHORUS 2 ] But I'll try my luck for a cheque Out Back, Then a last good-bye to the bush ; For my heart's away on the Outside Track, On the track of the steerage push. -------------------------------------------- [ CHORUS 1 ] -------------------------------------------- As long as the years go by. =================================
8.
Reedy River (1896) Tune by Chris Kempster (1933 - 2004) ------------------------------------------ [V1] Ten miles down Reedy River A pool of water lies, And all the year it mirrors The changes in the skies, And in that pool's broad bosom Is room for all the stars; Its bed of sand has drifted O'er countless rocky bars ---------------------------------------- [V2] Around the lower edges There waves a bed of reeds, Where water rats are hidden And where the wild duck breeds; And grassy slopes rise gently To ridges long and low, Where groves of wattle flourish And native bluebells grow. ---------------------------------- [V3] Beneath the granite ridges The eye may just discern Where Rocky Creek emerges From deep green banks of fern; And standing tall between them, The grassy she-oaks cool The hard, blue-tinted waters Before they reach the pool. ---------------------------------- [V4] Ten miles down Reedy River One Sunday afternoon, I rode with Mary Campbell To that broad bright lagoon; We left our horses grazing Till shadows climbed the peak, And strolled beneath the she-oaks On the banks of Rocky Creek. -------------------------------------------- [V5] Then home along the river That night we rode a race, And the moonlight lent a glory To Mary Campbell's face; And I pleaded for my future All thro' that moonlight ride, Until our weary horses Drew closer side by side. ---------------------------------- [V6] Ten miles from Ryan's crossing And five below the peak, I built a little homestead On the banks of Rocky Creek: I cleared the land and fenced it And ploughed the rich red loam, And my first crop was golden When I brought Mary home. ---------------------------------- [V7] Now still down Reedy River The grassy she-oaks sigh, And the waterholes still mirror The pictures in the sky; And over all for ever Go sun and moon and stars, While the golden sand is drifting Across the rocky bars; ---------------------------------- [V8] But of the hut I builded There are no traces now. And many rains have levelled The furrows of the plough; And my bright days are olden, For the twisted branches wave And the wattle blossoms golden On the hill by Mary's grave. ==========================
9.
The Lights of Cobb and Co. ( 1897 ) Tune and arrangement by Gerry Hallom --------------------------------------------------------- [V1] Fire lighted, on the table a meal for sleepy men, A lantern in the stable, a jingle now and then; The mail coach looming darkly by light of moon and star, The growl of sleepy voices — a candle in the bar. A stumble in the passage of folk with wits abroad; A swear-word from a bedroom — the shout of 'All aboard!' Get-up!' Get-up!' 'Hold fast, there ! “ and down the range we go; Five hundred miles of scattered camps will watch for Cobb and Co. -------------------------------------------- [CHORUS] Past the haunted half-way houses — where the convicts laid the stones The scrub-yards and the bark huts, where the shearers made their homes Through stringy-bark and blue-gum, and box and pine we go; One hundred miles will see tonight the lights of Cobb and Co. -------------------------------------------- [V2] Old coaching towns already 'decaying for their sins,' Uncounted 'Half -Way Houses,' and scores of 'Ten Mile Inns;' The riders from the stations by lonely granite peaks; The local boys as shepherds on sheep and cattle creeks; The roaring camps of Gulgong, and many a 'Digger's Rest;' The diggers on the Lachlan; the huts of Farthest West; Some twenty thousand exiles who sailed for weal or woe; The bravest hearts of twenty lands will wait for Cobb and Co. -------------------------------------------- [CHORUS] ------------------------------------------- [V3] The morning star has vanished, the frost and fog are gone, In one of those grand mornings which but on mountains dawn; A flask of friendly whisky — each other's hopes we share — And throw our top-coats open to drink the mountain air. The roads are rare to travel, and life seems all complete; The grind of wheels on gravel, the trot of horses' feet, The trot, trot, trot and canter, as down the spur we go — The green sweeps to horizons blue that call for Cobb and Co. -------------------------------------------- [CHORUS] ------------------------------------------- [V4] We take a bright girl actress through western dust and damps, To bear the home-world message, and sing for sinful camps, To wake the hearts and break them, wild hearts that hope and ache — (Ah! when she thinks of those days her own must nearly break!) Five miles this side the gold-field, a loud, triumphant shout: Five hundred cheering diggers have snatched the horses out: With 'Auld Lang Syne' in chorus through roaring camps they go — That cheer for her, and cheer for Home, and cheer for Cobb and Co. -------------------------------------------- [CHORUS] ------------------------------------------- [V5] Swift scramble up the siding where teams climb inch by inch; Pause, bird-like, on the summit — then breakneck down the pinch A flash on shrouded wagons, on water ghastly white; Weird bush and scattered remnants of rushes in the night Across the swollen river a flash beyond the ford : ' Ride hard to warn the driver ! He's drunk or mad, good Lord ! ' But on the bank to westward a broad, triumphant glow — New camps are stretching 'cross the plains the routes of Cobb and Co. -------------------------------------------- [CHORUS] ------------------------------------------- [V6] Throw down the reins, old driver — there's no one left to shout; The ruined inn's survivor must take the horses out. A poor old coach hereafter! — we're lost to all such things — No bursts of songs or laughter shall shake your leathern springs When creeping in unnoticed by railway sidings drear, Or left in yards for lumber, decaying with the year — Oh, who'll think how in those days when distant fields were broad You raced across the Lachlan side with twenty-five on board. ------------------------------------------ [V7] Not all the ships that sail away since Roaring Days are done — Not all the boats that steam from port, nor all the trains that run, Shall take such hopes and loyal hearts — for men shall never know Such days as when the Royal Mail was run by Cobb and Co. The 'greyhounds' race across the sea, the 'special' cleaves the haze, But these seem dull and slow to me compared with Roaring Days! The eyes that watched are dim with age, and souls are weak and slow, The hearts are dust or hardened now that broke for Cobb and Co. -------------------------------------------- [CHORUS] ------------------------------------------- [CHORUS] ------------------------------------------- [ENDING] The lights of Cobb and Co. ============================
10.
"Knocking Around" Tune by Garth Porter --------------------------------------- Weary old wife, with the bucket and cow, 'How's your son Jack? and where is he now?' Haggard old eyes that turn to the west — 'Boys will be boys, and he's gone with the rest!' Grief without tears and grief without sound; 'Somewhere up-country he's knocking around.' Knocking around with a vagabond crew, Does for himself what a mother would do; Maybe in trouble and maybe hard-up, Maybe in want of a bite or a sup; Dead of the fever, or lost in the drought, Lonely old mother! he's knocking about. Wiry old man at the tail of the plough, 'Heard of Jack lately? and where is he now?' Pauses a moment his forehead to wipe, Drops the rope reins while he feels for his pipe, Scratches his grey head in sorrow or doubt: 'Somewheers or others he's knocking about.' Knocking about on the runs of the West, Holding his own with the worst and the best Breaking in horses and risking his neck, Droving or shearing and making a cheque; Straight as a sapling — six-foot and sound, Jack is all right when he's knocking around ==================================

about

A century has passed since the death of Australia’s greatest poet, Henry Lawson, and The Queensland Tiger’s second album in his Lawson trilogy marks that anniversary. Accompanied by various talented musicians, this album creates a soundscape that brings 10 of Lawson’s best poems to life.
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These were written between 1892 and 1898, and depict a more hopeful and positive side of Lawson's character than his later years. (Vol. 3 in this series). Lawson’s keen observations, his wit and humour are seen throughout these poems, which translate wonderfully to songs.
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Most of them were published in “The Bulletin” during the 1890s. It was the founder of this magazine, J.F. Archibald, who sent Lawson to Bourke with 5 pounds and a one-way train ticket in 1892. Lawson would end up trekking between Hungerford and Bourke, enduring the harsh conditions of the Australian Bush, and witnessing the toll it took on ordinary people. This became the foundation of much of his later work. Lawson’s realistic perspective was in sharp contrast to his fellow contemporary Banjo Paterson, who wrote from a romantic viewpoint.
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In 1893, Lawson travelled to New Zealand, where he worked for a time. Back in Sydney in 1896, he met and married Bertha Bredt. The couple took a trip to West Australia in search of gold, but then returned to Sydney, where Lawson joined a social drinking club, called the Dawn and Dusk Club. To draw him away from such activities, wife Bertha arranged for another trip to New Zealand , where Lawson taught for a spell at a Mãori school. But by 1898, Henry and Bertha had returned to Sydney, with a new baby (Jim), with plans to go to England.
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Lawson is a moving poet : he can stir deep emotions, be they personal or political, humorous or romantic. Lawson's ability to describe a situation or a subject in just a few words has given us a series of portraits in these poems that no artist with a pencil or paintbrush could have surpassed. Here are some examples from each of the 10 tracks :

------The Captain of the Push--------
Let us first describe the captain,
bottle-shouldered, pale, and thin,
For he was the beau-ideal
of a Sydney larrikin.

--------A Prouder Man than You --------
If your character be blameless,
if your outward past be clean,
While 'tis known my antecedents
are not what they should have been
Do not risk contamination,
save your name whate'er you do —
'Birds o' feather fly together':
I'm a prouder bird than you !

-------- The Old Rebel Flag in the Rear -----------
“Whenever the march of oppression
Reduces a land to despair,
No matter how mighty the victors,
The flag of Rebellion is there.”

------------- Saint Peter ----------------
He was 'union' when the workers
First began to organise,
And — I'm glad that old St. Peter
Keeps the gate of Paradise.

------------- Sweeney -------------
Very old and thin and dirty
were the garments that he wore,
Just a shirt and pair of trousers,
and a boot, and nothing more.

----- The Emigration to New Zealand ------
“I'd like to see his face again,
I'd like to grip his hand,
He says he's sure that I'll get on
first-rate in Maoriland.”

---------- The Outside Track ---------------
The port-lights glowed in the morning mist
That rolled from the waters green;
And over the railing we grasped his fist
As the dark tide came between.

-------------- Reedy River ----------------
I cleared the land and fenced it
And ploughed the rich red loam,
And my first crop was golden
When I brought Mary home.

------- The Lights of Cobb and Co.-------
We take a bright girl actress
through western dust and damps,
To bear the home-world message,
and sing for sinful camps,
To wake the hearts and break them,
wild hearts that hope and ache —
( Ah ! when she thinks of those days
her own must nearly break ! )

------------- Knocking Around ---------------
Weary old wife, with the bucket and cow,
'How's your son Jack ? and where is he now ?'

----------------------------------------------------
The tunes for these songs were mostly written by Australians, such as Chris Kempster, Mike Jackson, Garth Porter, and Slim Dusty, but there is also one by the late Phil Garland (NZ) and two by Gerry Hallom (UK) : both men spent significant time in Australia.
--------------------------
The accompanists were carefully chosen for each track : Jessie Morgan (violin and backing vocals), Natasha Jaffe (cello), Mikhail Bugaev (violin and viola), Paul Johnson (flute) , and Lillian Penner (flute, violin and cello)
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Several of the songs are quite long. (e.g., Sweeney is over 13 minutes). This is because The Queensland Tiger stays true to the original by trying to sing the entire poem.
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Although this is the second album in his Henry Lawson trilogy, Volume 3 came out first, so the final album in this trilogy will be Volume 1, due out in a year or two.
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credits

released October 22, 2022

Jessie Morgan (violin and backing vocals), Natasha Jaffe (cello), Lillian Penner (violin, cello and flute) Mikhail Bugaev (violin and viola), Paul Johnson (flute)

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The Queensland Tiger

The Queensland Tiger covers traditional Australian ballads mainly from 19C.: e.g. Henry Lawson, Banjo Paterson, Breaker Morant, Charles Thatcher, etc…. true to the original works.
website : www.thequeenslandtiger.com or Youtube channel : The Queensland Tiger
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